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Seaman Schepps

Seaman Schepps Cabochon Sapphire Bracelet.
Seaman Schepps Cabochon Sapphire Bracelet.

Seaman Schepps was an American jeweler famous for his Retro and 1950s style jewelry. The son of East Side immigrants, Schepps traveled from New York to California around the turn of the century opening a store in Los Angeles that sold antiques, jewelry, and precious objects.1 Over the next thirty years, he began and ended multiple businesses, slowly gaining experience in the trade. In 1931, he started his most successful venture, a shop at 516 Madison Avenue in New York.

Inspired by trips to Paris where he saw the latest French fashions, including the work of Verdura at Chanel, Belperron at Boivin, and Toussaint at Cartier, Schepps began designing his own jewelry rather than retailing the work of others. Business boomed, and he relocated in 1933 to a larger shop at 399 Madison Avenue.

During the next twenty years, Schepps’s work enjoyed great success—as well as ample press. He favored chunky pieces including huge retro bangles with oodles of colored stones.

Seaman Schepps Turbo Shell and Peridot Earrings.
Seaman Schepps Turbo Shell and Peridot Earrings.

His ideas were not new— jewelry of a similar scale and form had been around since the twenties. They were noteworthy, however, for the haphazard placement of gemstones and his eclectic color combinations. Schepps favored irregularly cut, en-cabochon, or carved gemstones. Diamonds were typically ignored in favor of softly colored gemstones: light blue sapphires and emeralds, hazy yellow topazes and citrines and pale pink quartz. Hard stones like jadeturquoise, and lapis were also incorporated into his pieces. From Verdura, he borrowed the idea for Maltese cross brooches and shell earrings wrapped in wire. Following Boivin, he adopted large cuff bracelets. Schepps also produced whimsical sculptural brooches depicting sea life and animals, cluster earrings that featured a varied collection of colored gemstones and boldly scaled curb-link bracelets composed of hand-carved links in ebony, coral, and turquoise. Pleasing color combinations and unusually cut gemstones made his pieces interesting and very alluring and all his work was beautifully executed.

When Schepps retired in the late 1960s, his daughter Patricia took control of the firm. In 1992, the business was sold to Jay Bauer and Anthony Hopenjam who continue to produce jewelry in the traditional Schepps style.2

Maker's Marks & Timeline

Seaman Schepps Maker’s Mark.
Schepps, Seaman Maker’s Mark.
Seaman Schepps 2
Seaman Schepps Maker’s Mark 20-1-10066 (1 of 1)
Seaman Schepps Maker’s Mark 20-3-10205 (1 of 1)
Seaman Schepps Maker’s Mark.
Schepps, Seaman Maker’s Mark.
Seaman Schepps 2
Seaman Schepps Maker’s Mark 20-1-10066 (1 of 1)
Seaman Schepps Maker’s Mark 20-3-10205 (1 of 1)
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Seaman Schepps

Country

City

Nantucket MA, New York NY, Palm Beach FL

Symbol

shell

Era

e.1934

Categories: , Tags: , ,
Description

Specialties

  • Had shops in Los Angeles, San Francisco and New York selling a myriad of goods.
  • Became known as an avant-garde jeweler, “America’s Court Jeweler.”
  • Chunky pieces with quantities of colored gemstones.
  • Maltese cross brooches, shell earrings chunky bracelets following the styles of other famous jewelers of the day.

Unusual materials

  • Gemstones in every color.
  • Shell
  • Ivory
  • Turquoise
  • Wood
  • Coral
  • Rock Crystal
  • Found materials.

1940s-50s

  • Animal themes.
  • Celebrity & Society Clients including the Duchess of Windsor and President Franklin Delano Roosevelt.

1972

  • Seaman Schepps died.
  • Patricia Schepps Vaill, his daughter continued the tradition.

1992

  • The business was sold to Jay Bauer and Anthony Hopenhajm who continue to produce jewelry in the traditional Schepps style using the original molds and designs.

Sources

  • Vaill, Amanda & Janet Zapata. Seaman Schepps: A Century of New York Jewelry Design. New York: Vendome Press, 2004.
  • Proddow, Penny & Debra Healy. American Jewelry: Glamour & Tradition. New York: Rizzoli, 1987.

Notes

  1. Vaill & Zapata, 15.
  2. Ibid., 177.
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