The Crown of Princess Blanche. c 1370-80.
The ‘Middle Ages’ is a term that has been used to classify the period of European history which starts after the crumbling of the (Western) Roman Empire and ends at the start of the Renaissance. As with every attempt to chop history up into nicely defined blocks, there are pros and cons with this periodization. To avoid unclear situations we will take the time span 500 – 1500 AD as our Middle Ages and discuss only the European world and its direct neighbours in this period. Contemporary cultures such as South American jewelry, Asian jewelry, and African jewelry cultures and their jewelry will be dealt with separately.
Bronze Fibula, Germanic.
The Dark Ages?
In more than one place one can read about the Middle Ages being the ‘Dark Ages’, a time where intellectual progress stagnated, even regressed. Knowledge became the possession of the church and anybody disagreeing with the Catholic dogma was prosecuted. Artwork took a fall compared to the antique world of the Romans and Greeks. But, is this the whole truth? Were the Middle Ages a completely uninteresting period in which no innovations took place and no beautiful jewelry was produced? The answer to that question is a firm ‘no!’.
The term ‘Middle Ages’ is derived from Renaissance writers glorifying the Greeks and Romans for their intellectual achievements and art work. To them, the period that lay between their own time and that of the Romans was an intermediate period. A period in which knowledge lay dormant, technical innovations were of marginal importance and people lived under the yoke of the church. Today, looking back on history without having to distance ourselves from any ‘Dark Ages’ we can see a whole different era. A period in which innovations were made, a time in which supreme craftsmanship was executed and mind blowing jewelry continued to be produced.
Early Middle Ages
The end of the antique world has been marked by the crumbling of the Western Roman empire. The first centuries of the Empire (0 – 300 AD) had seen relative peace and prosperity but the Roman emperors had two major problems. The first being that of the succession of the Emperor himself and the second being the size and mobility of the army (some 300.000 men strong). Every time an emperor died his succession was subject to political and even military intrigue and the army wasn’t large and mobile enough to provide an effective defense along the long borders of the empire. Around 400 AD large numbers of Germanic tribes entered the empire while another number of tribes were allowed access to the empire under the pretension that they would help defend the borders. This triggered the period we call the Migration Period, a time in which whole populations moved from east to west and from north to south. A lot of these tribes had been living near, or right next to the Roman Empire and had known a long tradition of interaction with the tribes living within the Roman borders and with Romans themselves. History often describes these people as barbarians but let’s have a look at their jewelry.
Main article: Germanic Jewelry.
The Germanic cultures that crossed the rivers Danube and Rhine into the Roman Empire in the 5th century and caused the fall of the empire as it had existed for nearly 500 years had strong similarities in their technical abilities and decorative tastes. Their goldsmiths were familiar with Roman techniques and the jewelry they produced was of remarkable quality. Germanic burial rituals included sending their deceased off to the afterlife in full ornate dress which has caused us to have a good understanding of what jewelry was worn and by whom. Great technical complexity, fine materials, and bold designs are keywords when we are speaking about ‘barbaric jewelry’. Over time the Germanic tribes settled down, converted to Christianity and their jewelry became subject to Byzantine influences.
Belt Plaques from the Finery Set of Queen Aregund, c.515-573.
- Main Article: Byzantine jewelry
It was the Roman emperor Diocletian (reigned from 284 to 305) who split up the empire into two parts, an Eastern and Western Empire, in an attempt to tackle the problems that came with governing such a vast empire. His successor, Constantin I unified the empire again but did relocate the capital of the Empire to the old Greek city of Byzantium. Another important act of Constantin was that of adopting Christianity as his religion at the end of his life thus straightening the path for Christianity to become the main religion in Europe. The capital, now called Constantinople, proved to be a safe haven for Roman rulers right up until the 15th century. It goes without saying that a continuation of Roman jewelry manufacture took place in the new Byzantine Empire. The adoption of Christianity provided new motifs and the wealth of the city is reflected in its jewelry.
Gold with Cloisonné Enamel.
Moresque Ornament by Peter Flötner (c.1490-1546).
Around 570 AD the prophet Muhammad was born in Mecca. After receiving ‘messages’, later to be thought of as coming from the angel Gabriel, he started preaching new ideas and developed a large number of followers. By the end of his life, the larger part of the Arabic peninsula was unified under an Islamic state. In the hundred years after Mohammed’s death in 632, the Islamic world expanded its territories rapidly. By 732 it stretched from the Iberian peninsula to the Indus valley in India. Islamic burials didn’t include any artifacts to be buried with the dead and most jewelry has subsequently been lost; it was recycled. Any jewelry that did survive is hard to date because there are no distinct changes to be observed in form, decoration, and techniques. The goldsmiths of the Early Islamic world continued to work in the Roman/Byzantine and Sassanian styles. It is only from the 11th century on that a distinctly Islamic style can be observed. Arabic inscriptions on jewelry and a strong use of granulation and open work filigree became fashionable. Cairo is named as an important production center for Arabic jewelry which has been found throughout the Islamic world.
- Main Article: Romanesque Jewelry
After the Germanic tribes of Europe settled down, the Great Migration period and the chaos it had caused came to an end. Clans eventually united themselves under kings, when there was a need for it, and it was Charlemagne who was the first to unite a large part of Europe under an Empire in 800 AD. His Empire grew out to be the Holy Roman Empire in which a certain stability was maintained. This allowed progress to be made in the world of art. The new court was influenced by Byzantine fashion, an influence that proved to last under his successors, the Ottonian Emperors.
Christian iconography flourished in jewelry and was spread further through monasteries which were founded throughout Europe. It is these monasteries that acted as a hub for the art of goldsmithing. Here the techniques were initially taught to secular jewelers who inhabited the newly founded cities of the 10th and 11th century. France and England were torn by feudal wars and Norman invasions until the turn of the millennium which tempered progress in these areas over the Early Romanesque period. But, by the 11th-century cities provided safe havens for craftsmen to settle and do their jobs everywhere in Europe. This marked the beginning of the self-employed, secular jeweler-goldsmith as we know him now.
Imperial Glove in Schatzkammer in Wien (Austria).
High Middle Ages
- Main Article: Gothic Jewelry
After the fourth crusade got no further than the plundering of Constantinople in 1204 AD, the Byzantine Empire’s powers dwindled. With the demise of the empire, its influence on the rest of Europe diminished and eventually, the Byzantine fashion fell from favour. Certain types of jewelry such as earrings and bracelets disappeared from the bodies of European ladies. A new style emerged following the developments in architecture that had started in the 1140’s. A gradual change from Romanesque styles to Gothic ones took place. This was reflected in jewelry designs by the late 13th century. Pointed rather than rounded forms were used and the heavy, dense surface decoration that had been a remnant from the classical past were replaced by more simple and elegant designs. Enamel work became even more beautiful and was used more elaborately. A love for romance, resulting in the gifts of jewelry from lovers to one another, an increased supply of gemstones from the East, the rise of gem cutting and the solid establishment of the independent goldsmith/designer caused a new flow of jewelry to adorn the bodies of men and women.
Clasp-Reliquary with Eagle, c.14th Century.
Late Middle Ages
Late Gothic to Early Renaissance
From 1375 AD on Gothic jewelry designs changed toward a more natural form. Clare Phillips describes it as a ‘softening of forms’.1 Gem cutting became an art in itself and designs became more complex although still elegant. During the 15th century early signs of a new movement, the Renaissance, stuck up their heads in Italy but the Gothic style persisted in Northern Europe and England until the 16th century.
From sublime Germanic inlay work to the complicated techniques of emaille en ronde bosse, the Middle Ages have been a time where vast progress took place on many fronts. The founding and uprise of cities provided safe havens for traders and craftsmen to do their jobs and specialize their skills. These conditions are a necessity for technological innovation. The organisation of goldsmiths in guilds stimulated education and collaboration of independent goldsmiths and sparked things like quality control. The increased trade with the East eventually led to the discoveries of new continents. These are all very important aspects without which jewelry as we know it today wouldn’t exist.
- Middeleeuwen, de Boer, D.E.H, van Herwaarden, J and Scheurkogel, J. Martinus Nijhoff uitgevers, Groningen, The Netherlands, 1995. ISBN 906890485x
- 7000 Years of Jewellery, Various Authors, edited by Hugh Tait, British Museum Press, London, 1986. ISBN 9780714150321
- Ancient Jewellery: Interpreting the Past, Ogden, Jack, British Museum Press, London, 1992. ISBN 071412060x
- Jewelry, from Antiquity to the Present, Phillips, Clare, Thames & Hudson, London, 1996. ISBN 9780500202876
- A History of Jewellery 1100-1870, Evans, Joan, Dover Publications, Inc, New York, USA, 1953/1970. ISBN 0486261220